It is a play that seeks to travel through the idea of the neutrality, of the void. It also reflects on how to build a space through the idea of pictures that remain and blossom by means of the state of being. Pictures with physical perceptions where the void, the laissez-faire, the subtle is what prevails. The state is constructed by means of physical mechanics which are purely geometric: angles, intersections, opposed directions, shape outlines, lineup...
The idea of the void comes from an inner void, from cleaning every thought that can affect to the shape. It proposes a visual and sound journey by means of contemplation, The play is built by means of physical mechanics which result in the construction of the staging through pictures lead to movement and vice-versa.
Genre: dance
Creator and interpreter. Graduated in Choreography and Interpretation by the Institut del Teatre in Barcelona, and in Interior Design by the ESDAP. As a creator, she is currently absorbed in the solo 1'28, winner of both ArtJove 2017 of Dance and of MM&I (Madrid's Choreographic Contest), with the aim of premiere it at the ends of 2018. She has already presented her first play, Wu Wie, in the Festival de la Quinzena Metropolitana de Dansa. As interpreter, she has recently worked with Eulàlia Bergadà in Gold Dust Rush, premiered in the Festival Grec de Barcelona, with Siberia-Paloma Muñoz in La Piel Vacía, as well as in several projects with Lipi Hernández as Mol·leculari in Sismògraf 2018 or El Canto de los Caballos-DATA, premiered in the Festival SÂLMON-Mercat de les Flors.
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